programme

  TUESDAY 23 JUNE 2026 WEDNESDAY 24 JUNE 2026 THURSDAY 25 JUNE 2026 FRIDAY 26 JUNE 2026
9:00 AM Registration Keynote Lecture Keynote Lecture Keynote Lecture
9:30 AM
10:00 AM Exhibition visit – Time for Papua Tea / coffee break
10:30 AM Memory 8 Place 8 Memory 15 Place 15 Memory 24 Memory 26
11:00 AM Memory 9 Place 9 Memory 16 Place 16 Memory 25 Memory 28 +FILM
11:30 AM Memory 10 Place 10 Memory 17 Place 17 Memory 28
12:00 AM Lunch Performance M31 Memory 18 Imagination 1 Performance P19
12:30 PM Lunch Lunch Lunch
13:00 PM Keynote Lecture
13:30 PM
14:00 PM Memory 1 Place 1 Memory 11 Place 12 Memory 19 Imagination 2 AGM
14:30 PM Memory 2 Place 2 Memory 12 Place 13 Memory 20 Imagination 3
15:00 PM Memory 3 Place 3 Memory 13 Place 14 Memory 21 Imagination 4 Memory 29
15:30 PM Memory 4 Place 4 Memory 14 Place 18 Performance M33 Memory 30
16:00 PM Tea / coffee break Performance M32 Tea / coffee break Performance M34
16:30 PM Memory 5 Place 5 Opening Yuki Kihara + performance Memory 22 Imagination 5
17:00 PM Memory 6 Place 6 Memory 23 Imagination 6 Closing
17:30 PM Memory 7 Place 7 / 11 Kava ceremony  
18:00 PM   Conference dinner
18:30 PM  
19:00 PM
19:30 PM
20:00 PM
9:00 AM – 9:30 AM Registration
10:00 AM – 11:30 AM Exhibition visit – Time for Papua
12:00 PM – 12:30 PM Lunch
13:00 PM – 13:10 PM Welcome by Wereldmuseum content director Wayne Modest
13:10 PM – 13:30 PM Keynote lecture: Ronny Kareni
14:00 PM M1: Memories from the Utrecht Missionary Society Papua colleciton: Histories of collecting , Display and New Beginnings – Amélie Roussillon P1: Architecture of Moana Nui – Albert L. Refiti
14:30 PM M2: Memory, Transformation, and Continuity in Asmat Cultural Life – Andreas Wahyu P2: Artefacts of Relations: Contemporary Moana and Māori Buildings – Tina Engels- Schwarzpaul
15:00 PM M3: Reconnecting with ancestors: The Cultural Memory and Identity in Asmat Spirit Feast – Rosa Dahlia Yekti Pratiwi P3: In the Shadows: A “Paddle” from the Austral Islands at Yale University – Marissa Perez
15:30 PM M4: What’s in a name: Dutch Papuans, traditional names, and navigating identity – Nico Jouwe P4: Embodying Mana: The Role of Chiefly Headdresses in Articulating Sacred Lineages in Polynesia – Talei Tu’inukuafe
16:00 PM Tea / coffee break
16:30 PM M5: Continuities Within Displacement: Memory and Material Histories in the Collections from Oceania at Ipswich Museum (UK) – Carolina Gallarini P5: What’s in a dress? The context of the siapo evening dress from Samoa in the Museum Fünf Kontinente in Munich – Bernadette Samau, Sharon Roma, Hilke Thode-Arora
17:00 PM M6: Men’s houses as museum? Rethinking Iatmul ceremonial houses through past and contemporary perspectives (ESP, PNG) – Enzo Hamel P6: Oceanic Art Society: Thirty Years of Place-Making in Australia – Noelle Rathmell- Stiels
17:30 PM M7: Concepts of traditon at work in the present: the case of the modelled skulls from Papua New Guinea in a Dutch missionary museum – Tiko Waundu, Paul Voogt P7: The Festival of Pacific Arts – a multiplace-based memory (1972-2024) (Report) – Jean- Emmanuel Frantz (15 min)
P11: Female and Male Initiation Rituals among the Ayfat of the Bird’s Head, West Papua (Report) – Wanda Avé (15 min)
9:00 AM – 9:30 AM Keynote lecture: Deirdre Brown
10:00 AM – 10:30 AM Tea / coffee break
10:30 M8: Memories, circulations and places: Trajectories of the Asmat art collection held in the Musée L (Louvain-la-Neuve, Belgium) – Marion Bertin P8: Art, memory and place in Central Polynesia: pre-Christian figure sculpture, seats and ‘pigs’ – Steven Hooper
11:00 M9: The Höltker collection: dispersion as a professional and memorial tactics? – Nicolas Moret P9: Papuan arts on the move: a diaspora conversation – Nancy Jouwe
11:30 M10: Unfreedom, Voices Redress: Collections, connection and the Plantation – Imelda Miller, Oliver Lueb P10: Looking East. The re-orientation of the Malukan dispora to the Pacific – Wim Manuhutu
12:00 M31: Carrying Memory: Intergenerational Continuum in the Seer, the Seen, the Seeing (performance) – Te Rongo Kirkwood
12:30 PM – 13:30 PM Lunch
14:00 PM M11: Transmission, archipelagos and publics: the renovated museum in Tahiti – Marine Vallée P12: Cosmic Sovereignty: Documenting Longhouse Construction in Asmat, Indonesian Papua – Jaap Timmer
14:30 PM M12: Recording Kastom: Reconnecting Torres Strait Islander archives and objects to people and place – Anita Herle P13: “We are no longer Maisin”: Climate change and barkcloth art among the Maisin people of Papua New Guinea – Anna-Karina Hermkens
15:00 PM M13: Whāia te Taniwha I – Māori guardian creatures in memory & art – Madi Williams P14: Placing the past: Site-Specific Contemporary Art and Ecological Collapse in Oceania – Maggie Wander
15:30 PM M14: Whāia te Taniwha II – Celebrating ancestral narratives – Kirsty Dunn P18: Place-making and relationality: In between Country and Museum – Brian Martin, Roberta Colombo, Beatrice Voirol
15:30 PM – 16:00 PM M32: Faovale Imperium – performance reframing collections through indigenous perspectives and re-centreing Pacific voices (performance) – James Nokise, Rodrigo Pantoja, H-J Kilkelly
16:00 PM – 16:30 PM Tea / coffee break
16:30 PM -18:00 PM Double exhibition opening
Darwin in Paradise Camp – Yuki Kihara (with performance)
Sámi Art, Land, Power (with artist talk)
9:00 AM – 9:10 AM Introduction to the day
9:10 AM – 9:30 AM Keynote lecture: Brian Diettrich
9:30 AM – 10:00 AM Tea / coffee break
10:00 AM M15: From Past to Present: Karl von den Steinen and Te Henua Enata – Caroline van Santen P15: The Gafa That Binds Us: Contemporary Pacific Artists Exploring Temporality, Ancestral Connections and Place – Caroline Vercoe
10:30 AM M16: Matatiki – processes of recognition and transmission of the Ènata/Ènana graphic repertoire (report) – Marine Vallée (15 min) P16: From Ancient Futures to Falanoa: Activating ancestral presence in contemporary place-making – Dagmar Vaikalafi Dyck
11:00 AM M17: Ha’a tiki: the art of sculpture between survival and revival in the Marquesas Islands – Giacomo Nerici P17: Pasifik ples wokim tude long Ostrelia: Contemporary Pacific Place-making in Australia – Margaret Cassidy
11:30 AM M18: The Resilience of Marquesan u’u: A case study in the entanglement of continuity and change – Carol Ivory I1:Creating and Curating Alternative Art Histories: A Digital Collaboration and Visual Repatriation Project at the American Museum of Asmat Art – Gretchen Burau, Amy Nygaard
12:00 PM – 13:00 PM Lunch
13:30 PM M19: Weaving Memory, Ancestral connection, and Kinship on Turtle Island – Melodie Bergquist-Turori, Fran Lujan I2: Imagining futures for a museum collection from colonial contexts: the Hamburg South Sea Expedition – Jasmin Günther, Jeanette Kokott
14:00 PM M20: The Past is Present: Objects of New Guinea, ancestral memory in German historical museum – Katy Klaasmeyer I3: Reimagining Provenance Research: Following “Primitive Art” from New Guinea to US Department Stores – Robert J. Foster
14:30 PM M21: The Memory of a Fence post – Julie Adams, Eve Barlow I4: Tau o Mai | Journeys with Mai – Nicholas Thomas
15:00 PM M33: A House of Adornments, Tracing and Transmitting Stories of Māori Adornments – Renee Grace Hau
15:30 PM Tea / coffee break
16:00 PM M22: Embodied Fonua: Reconstructing a Tongan (customary) tātatau in Aotearoa – Terje Koloamatangi I5: Saltwater healing: Yuki Kihara’s Darwin in Paradise Camp – Karen Jacobs
16:30 PM M23: The skin as a repository of memory and knowledge. Waima’s female tattooing and social reproduction – Anahí Luna I6: “Re-Imagining” Oceania at the Met: Connections Old and New—1982-2025 (report)- Nancy Lutkehaus
17:00 PM Closing Kava ceremony by Terje Koloamatangi
17:30 PM – 20:00 PM Conference dinner
9:00 AM – 9:10 AM Introduction to the day
9:10 AM – 9:30 AM Keynote lecture: Sana Balai
9:30 AM – 10:00 AM Tea / coffee break
10:30 AM M24: The Residual Evidence of Memory and Moai Design in Rapa Nui Woodcarving – Jo Anne Van Tilburg M26: Numbulwar Memories – Louise Hamby, Janette Murrungun
11:00 AM M25: Mats and memory: Samoan Weaving in a Globalized Economy – Anne E. Guernsey Allen M27: Sail the Midnight Sun: Rediscovered Film of a Landmark Pacific Theater Production – Henriëtte Brouwers, Steven Huismans + FILM
11:30 AM M28: Weaving – A living Art Form – Jacqueline Charles-Rault
12:00 PM – 12:30 PM P19: Leiden iteration – Te Reo project – Eve Barlow
12:30 PM – 13:30 PM Lunch
14:00 PM – 14:30 PM AGM
15:00 PM M29: Tapa Revival: Memory, Place-making and Future Imaginings in Tahitian barkcloth Artistry – Hinatea Colombani, Moeava Meder
15:30 PM M30: Tapa Revival: Memory, Place-making and Future Imaginings in Tahitian barkcloth Artistry (performance) – Hinatea Colombani, Moeava Meder
16:00 PM – 16:30 PM M34: The Vanishing Māori show presents – a joint reflection – George Nuku (45 min)
16:45 PM – 17:30 PM Closing by Dutch Papuan community

The symposium ties in with the exhibition Time for Papua, opening on 12 February 2026 and closing on 7 January 2027. For the first time in forty years, the Wereldmuseum is showcasing a selection of its western New Guinea collection as well as especially commissioned work.

Visitors are invited to explore the richness, intricacy and making traditions of the art and material culture of this former Dutch colony. In addition, the public will discover concepts of time that relate to memory, place-making and imagination.

The Symposium is further part of a series of gatherings aimed at rethinking global art histories through the expansive and intellectual space of the Wereldmuseum, which challenges the structures and assumptions of both art history and anthropology through new approaches to material culture.

The title of this gathering ‘Blazing Forms’, taken from Margaret Danner’s poem The Convert, that initially applied to the blazing power of African art and material culture is here applied to Oceania to become Oceanic Blazing Forms: Memory, Place-making and Imagination.

For more information on this series, visit materialculture.nl

KEYNOTE SPEAKERS

The Keynote Speakers for our PAA International Symposium are Sana Balai, Deidre Brown, Brian Diettrich and Ronny Kareni.

Sana Balai is a Bougainville-born curator known for her influential work with Pacific and Indigenous art collections across Australia and the Pacific.

Deirdre Brown is a leading Māori art historian whose work explores Pacific art, architecture, and cultural heritage, highlighting Indigenous design and the transmission of cultural memory.

Brian Diettrich is an ethnomusicologist specialising in Micronesian music and dance, focusing on their role in cultural heritage and community identity.

Ronny Kareni is a West Papuan musician and researcher whose work centers on music, cultural identity, and West Papuan self-determination.